A Brief but Very Candid Conversation with Caroline Munro

Jeff Cramer:How did you get started in the industry?

Caroline Munro:A very long time ago, for one thing. I started accidentally, really. I was at art school, and there was an art student—a chap—who wanted to take some photographs of me, which I did. And he asked my mother, took the photographs, and then showed my mother. I was only sixteen. He showed my mum and asked if he could send photographs to a very, very famous English photographer at the time in the 60s called David Bailey. And he wanted to send these photographs out. David Bailey had a competition, and they sent the photographs out, and by some fluke it won the competition. The photograph won, and I won what’s called the Face of the Year.So I became the Face of the Year in ’66. And that was my first foray into modeling.

I did modeling for a good few years. I worked for American Vogue and product commercials and print work. And then I started—I think my first films—oh, I was an extra in the original Casino Royale.

JC: Yeah.

CM: So no lines, no dialogue. So I started doing a little bit of extra work, and gradually I got more work and I got a part playing Richard Widmark’s daughter in a western, which was amazing. I got to work with Richard, and Cesar Romero played my grandfather. So that was an incredible time. I did more films, more films. And then I got a contract from Hammer.I had to screen test, and they contracted me for the year. I did two films, Dracula A.D. and Captain Kronos. So I’ve been very lucky. I’ve worked with some amazing people and traveled to some lucky places.

JC:Now I don’t have time to go into all of your movies, but have you done many. What was a memorable time during your acting career? 

CM: Yeah, I think Dracula A.D. was one of the turning points. And then from there I did Kronos, and then Brian Clemens wrote and directed Kronos. He had written a screenplay for The Golden Voyage of Sinbad, and he felt I was right for the role of Margiana in Sinbad. And he took Ray Harryhausen and Charles Schneer, ’cause they wanted a big American name, and he said, “No, I think Caroline is more right for what you’re looking for, for the role of Margiana.” And they supposedly liked what I did, and therefore I got the role. I got to work with Tom Baker and John Phillip Law.

JC:You’re obviously an actress and a model, but one thing that’s rarely talked about is that you sing. 

CM: I did a bit of singing. I did.

JC: Yeah, let’s talk about that.

CM: I used to sing in a church choir when I was in school. Not very well, mind you. And my dad’s friend was head of Decca at the time; they had the Rolling Stones. They had the really good people in the 60s, and they were looking for a female singer, a young female singer. And he said, “Would you like to have a go?” so I sang a bit for him, and he decided to put a really good producer with me and he took me to Abbey Road. So I was singing in Abbey Road Studios. I sang a song called, “Tar and Cement,” which was my first. [To hear “Tar and Cement,” click here.] A really good producer. And I had a few hits. And then my backing band, my amazing backing band, we had Eric Clapton, we had Steve Howe of Yes, we had Jack Bruce, and we had Ginger Baker.

JC: Oh, awesome.

CM: I had a pretty cool band.

JC: Yes.

CM: And they were session musicians before Cream, the band.

JC: Yes.

CM: So that’s how I started singing. And then, you know, I’ve done various bits and pieces with singing and Gary Numan. He produced a song I sang called “Pump Me Up,” which was a big hit in Italy. [To hear “Pump Me Up,” click here.]

I also appeared in music videos with Adam Ant and Meatloaf, so I have gotten to work with quite a lot of people in music.

JC:So what have you been up to these days?

CM: I’m keeping fairly busy. I have two daughters; Tami, my stepdaughter, lives in Seattle, and my two daughters live in London, who are both doing art. One is pursuing acting, and the other one is pursuing singing—she has a great voice. But I’m still busy. I’ve starred in three independent films in England: two cameos and one role as the main lady. It’s just been shown in England this week, called The Landlady. It’s a short film—twenty minutes long’s that’s what I’ve been doing. My dream is to work with Rob Zombie . . . love him. Obviously, Quentin Tarantino, too. I admire them very much.